GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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GRECO, El The Annunciation sdgm oil


The Annunciation sdgm
Painting ID::  7049 		The Annunciation sdgm
1569-70 Tempera on panel, 26,5 x 19,5 cm Museo del Prado, Madrid
   
   
     
GRECO, El Christ Healing the Blind dfh oil


Christ Healing the Blind dfh
Painting ID::  7050 		Christ Healing the Blind dfh
c. 1570 Oil on canvas, 50 x 61 cm Pinacoteca, Parma
c._1570 Oil_on_canvas,_50_x_61_cm Pinacoteca,_Parma
   
   
     
GRECO, El Christ Healing the Blind fg oil


Christ Healing the Blind fg
Painting ID::  7051 		Christ Healing the Blind fg
c. 1570 Oil on wood, 66 x 84 cm Gemäldegalerie, Dresden
   
   
     
GRECO, El Portrait of Giulio Clovio dfy oil


Portrait of Giulio Clovio dfy
Painting ID::  7052 		Portrait of Giulio Clovio dfy
c. 1571 Oil on canvas, 63 x 88,5 cm Museo Nazionale di Capodimonte, Naples
   
   
     
GRECO, El The Piet (The Lamentation of Christ) dfh oil


The Piet (The Lamentation of Christ) dfh
Painting ID::  7053 		The Piet (The Lamentation of Christ) dfh
1571-76 Tempera on panel. 29 x 20 cm Philadelphia Museum of Art, Philadelphia
   
   
     
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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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